Read Wood Magic by Richard Jefferies Free Online
Book Title: Wood Magic|
The author of the book: Richard Jefferies
ISBN 13: 9781853261534
Format files: PDF
The size of the: 12.73 MB
Edition: Wordsworth Classics
Date of issue: 1995
Read full description of the books:Despite the title, there is basically no magic in this book, aside from the animals being able to talk with Bevis. Various side stories resemble fables, but the overall plot is surprisingly political: the overbearing king of the forest, a jay named Kapchack, must find some way to keep a sweltering hoard of barbarian pigeons from overrunning his kingdom.
Meanwhile, almost every animal of note beneath his command creates plans to betray him for their own personal gain. The most prominent villain is the weasel, who continually plays cruel tricks and evades death by virtue of his fast tongue. Brief but potent instances of violence pepper the book, but descriptions of the animals and woodland setting give it a sense of tranquility.
There would never be a book like this published today, and while I gave it only three stars, I think it is worth the read for odd ducks like myself.
Read information about the author(John) Richard Jefferies (1848-1887) is best known for his prolific and sensitive writing on natural history, rural life and agriculture in late Victorian England. However, a closer examination of his career reveals a many-sided author who was something of an enigma. To some people he is more familiar as the author of the children’s classic Bevis or the strange futuristic fantasy After London , while he also has some reputation as a mystic worthy of serious study. Since his death his books have enjoyed intermittent spells of popularity, but today he is unknown to the greater part of the reading public. Jefferies, however, has been an inspiration to a number of more prominent writers and W.H. Hudson, Edward Thomas, Henry Williamson and John Fowles are among those who have acknowledged their debt to him. In my view his greatest achievement lies in his expression, aesthetically and spiritually, of the human encounter with the natural world – something that became almost an obsession for him in his last years.
He was born at Coate in the north Wiltshire countryside - now on the outskirts of Swindon - where his family farmed a smallholding of about forty acres. His father was a thoughtful man with a passionate love of nature but was unsuccessful as a farmer, with the result that the later years of Jefferies' childhood were spent in a household increasingly threatened by poverty. There were also, it seems, other tensions in the family. Richard’s mother, who had been brought up in London, never settled into a life in the country and the portrait of her as Mrs Iden - usually regarded as an accurate one - in his last novel, Amaryllis at the Fair , is anything but flattering. Remarks made in some of Jefferies’ childhood letters to his aunt also strongly suggest an absence of mutual affection and understanding between mother and son. A combination of an unsettled home life and an early romantic desire for adventure led him at the age of sixteen to leave home with the intention of traversing Europe as far as Moscow. In this escapade he was accompanied by a cousin, but the journey was abandoned soon after they reached France. On their return to England they attempted to board a ship for the United States but this plan also came to nothing when they found themselves without sufficient money to pay for food.
A self-absorbed and independent youth, Jefferies spent much of his time walking through the countryside around Coate and along the wide chalk expanses of the Marlborough Downs. He regularly visited Burderop woods and Liddington Hill near his home and on longer trips explored Savernake Forest and the stretch of the downs to the east, where the famous white horse is engraved in the hillside above Uffington. His favourite haunt was Liddington Hill, a height crowned with an ancient fort commanding superb views of the north Wiltshire plain and the downs. It was on the summit of Liddington at the age of about eighteen, as he relates in The Story of My Heart, that his unusual sensitivity to nature began to induce in him a powerful inner awakening - a desire for a larger existence or reality which he termed 'soul life'. Wherever he went in the countryside he found himself in awe of the beauty and tranquillity of the natural world; not only the trees, flowers and animals, but also the sun, the stars and the entire cosmos seemed to him to be filled with an inexpressible sense of magic and meaning.
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