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Book Title: Der Augenblick der Freiheit. Ist das Inferno abwendbar?|
The author of the book: Jens Bjørneboe
ISBN: No data
ISBN 13: No data
Format files: PDF
The size of the: 8.72 MB
Edition: Merlin Verlag
Date of issue: 1968
Read full description of the books:This is the first novel in Jens Bjorneboe's "History of Bestiality" trilogy.
Bjorneboe and his narrator explore the evil inherent in the human race itself. In a vague middle-European principality the narrator, a servant of justice, is employed to brush gowns and fill inkwells, to be a daily witness to injustice masquerading as a court of law.
The experience sets him off on an odyssey through human experience which he keeps a careful record of in his History of Bestiality, a monumental twelve-volume exploration of man's cruelty to man and his own past, asking what went wrong with mankind. With echoes of Nietzsche and Sartre, we see him striving to live uncoerced by power, unpersuaded by friends, to take for himself the liberty of stating his critique in order to live in his own moment of truth, to stand "far out at the edge of the abyss, "for it is only there where one can truly experience their personal "moment of freedom."
Read information about the authorJens Ingvald Bjørneboe was a Norwegian writer whose work spanned a number of literary formats. He was also a painter and a waldorf school teacher. Bjørneboe was a harsh and eloquent critic of Norwegian society and Western civilization on the whole. He led a turbulent life and his uncompromising humanity would cost him both an obscenity conviction as well as long periods of heavy drinking and bouts of depression, which in the end led to his suicide.
Jens Bjørneboe's first published work was Poems (Dikt) in 1951. He is widely considered to be one of Norway's most important post-war authors. Bjørneboe identified himself, among other self-definitions, as an anarcho-nihilist.
During the Norwegian language struggle, Bjørneboe was a notable proponent of the Riksmål language, together with his equally famous cousin André Bjerke.
Jens Bjørneboe was born in 1920, in Kristiansand to Ingvald and Anna Marie Bjørneboe. He grew up in a wealthy family, his father a shipping magnate and a consul for Belgium. The Bjørneboe family originally immigrated from Germany in the 17th century and later adopted their Norwegian name. Coming from a long line of marine officers, Bjørneboe also went to sea as a young man.
Bjørneboe had a troubled childhood with sickness and depressions. He was bedbound for several years following severe pneumonia. At thirteen he attempted suicide by hanging himself. He began drinking when he was twelve, and he would often consume large amounts of wine when his parents were away. It is also rumored that he drank his father's aftershave on several occasions.
In 1943 Bjørneboe fled to Sweden to avoid forced labor under the Nazi occupation. During this exile, he met the German Jewish painter Lisel Funk, who later became his first wife. Lisel Funk introduced him to many aspects of German culture, especially German literature and the arts.
Bjørneboe's early work was poetry, and his first book was Poems (Dikt, 1951), consisting mainly of deeply religious poetry.
Bjørneboe wrote a number of socially critical novels. Among those were Ere the Cock Crows (Før Hanen Galer, 1952), Jonas (1955) and The Evil Shepherd (Den Onde Hyrde, 1960). Ere the Cock Crows is a critique of what Bjørneboe saw as the harsh treatment, after the Second World War, of people suspected of having associated in any way with the Nazis (among them the Norwegian writer and Nobel Prize in Literature winner Knut Hamsun). Jonas deals with injustices and shortcomings of the school system and The Evil Shepherd with the Norwegian prison system.
His most significant work is generally considered to be the trilogy The History of Bestiality, consisting of the novels Moment of Freedom (Frihetens Øyeblikk, 1966), Powderhouse (Kruttårnet, 1969) and The Silence (Stillheten, 1973).
Bjørneboe also wrote a number of plays, among them The Bird Lovers (Fugleelskerne, 1966), Semmelweis (1968) and Amputation (Amputasjon, 1970), a collaboration with Eugenio Barba and the Danish theatre ensemble Odin Teatret.
In 1967, he was convicted for publishing a novel deemed pornographic, Without a Stitch (Uten en tråd, 1966), which was confiscated and banned in Norway. The trial, however, made the book a huge success in foreign editions, and Bjørneboe's financial problems were (for a period) solved.
His last major work was the novel The Sharks (Haiene, 1974).
After having struggled with depression and alcoholism for a long time, he committed suicide by hanging on May 9, 1976.
In his obituary in Aftenposten, Bjørneboe's life and legacy were described as follows:
"For 25 years Jens Bjørneboe was a center of unrest in Norwegian cultural life: Passionately concerned with contemporary problems in nearly all their aspects, controversial and with the courage to be so, with a conscious will to carry things to extremes. He was not to be pigeonholed. "
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